Projects

Callie’s Solo Webseries

Comedy! Singing! and a host of crazy characters…that’s Callie’s life, now that she’s gone solo…

Callie, a singer, who tries to balance her music career with her voice teaching studio, navigates her way through the chaotic Chicago music scene. Newly single, with a son about to leave for college, Callie steps into a fresh start with characteristic klutziness and compassion, dealing with her wannabe singer students, the generational divide between her and her son, and the inevitable karmic fallout from her ex.

Fragments of Heartbreak Reassembled Here

How an empty nesting divorcée journeys out of the dark winter of the soul to rekindle her creative spirit – only to find that she may no longer exist. A cheeky desolation in story, poetry, and song. Written and performed by Wendy Parman, Justin Bernard Bowse on keyboard Directed by Jill Daly

REVIEW! Here is a review of “Fragments of Heartbreak Reassembled Here” by (New City) critic and man about town Robert Rodi. Sadly, it wont be printed due to the genre bending nature of the show, but he was kind enough to write and share it with me, so I am sharing it with you.  

Taking Charge: A Review of Fragments of Heartbreak Reassembled Here at Prop Thtr

RECOMMENDED

Wendy Parman has been a presence on the cabaret scene for a while, most notably as the host and curator of Singer Salon, an ongoing vocal series. Her new show, part of the Rhinoceros Festival lineup, is called “Fragments of Heartbreak Reassmbled Here,” and it while it’s about the length of an average cabaret show, running somewhere beyond an hour, it covers a wide swath of emotional ground, and expands Parman’s onstage prowess to include spoken-word pieces, poetry and a fair amount of acting. (Though her collaborator, the gifted pianist Justin Bernard Bowse, shares the stage with her, all her dialogue is directed to a telephone.)

There’s also singing, of course. Parman wrote the tunes for this show, which begins at the nadir of her life, as she endures a post-divorce depression during an especially frigid Chicago winter. The lyrics throughout are satisfyingly wry and occasionally land a solid emotional punch, as when she sings about her mother, “An extraordinary woman, difficult, creative, beautiful and critical / And whimsical and natural and punishingly critical / Unable to have friends / Now I’m fifty-five years old, now I understand.”

The  show’s staging is minimal though effective (it’s directed by Jill Daly); but what will make it especially revelatory for women is that Parman charts her self-rehabilitation through creative work, ultimately taking charge of her own creative destiny. She first returns to the auditioning circuit after decades, which leads to disillusionment, not only over how young her competition is but how venal  (“Oh, the chatterers. I hate the chatterers! I forgot about the chatterers!”). Unable to find, much less land, roles to fit her age, Parman writes and produces her own web sitcom, “Callie’s Solo,” and  then… well, she writes and performs this show. Which means that “Fragments of Heartbreak Reassembled Here” is itself part of the story of “Fragments of Heartbreak Reassembled Here.” Cabaret was never quite that meta.

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